Tools used:

Standard Primitives, Polygon Modeling, FFD Box.

Step 1:

Create cylinder from standard
primitives with following
parameters.

Step 2:

Select the object and copy using
(shift + move) in following position.

Step 3:

Select one object and convert to
poly.

Step 4:

1. Click on multiple attach button.
2. Add all objects and click on Attach.

Step 5:

Create cylinder from standard
primitives with following
parameters.

Step 6:

Click on the control points..

Step 7:

Adjust the position of the points by
selecting and moving the following
points.

Step 8:

Copy the object in following positions.

Step 9:

1. Press (M) key for material editor.
2. create two different material with blue
   and white color.

Step 10:

1. Go to the top viewport.
2. create box.

Step 11:

Adjust the box position and scale.

Step 12:

Convert this object to poly.

Step 13:

Turn on the polygon and select
following faces.
Apply bevel.

Step 14:

Adjust the position of the vertices by
selecting and moving vertex.

Step 15:

Go to the top view port Adjust the
following vertices .

Step 16:

Select the face and apply extrude.

Step 17:

Adjust the vertices.

Step 18:

Object shape from the left view port.

Step 19:

Object shape from the top view port.

Step 20:

Go to the edit and click on the
swift loop button to add segments.

Step 21:

Create following segments using
swift loop for tighten edge.

Step 22:

Go to the edit again and turn on the
use Nurms for Mesh smooth.

Step 23:

• Open the use nurms drop down
  panel.
• Increase the number of
  iterations for more mesh smooth.

Step 24:

1. Go to the top view
2. Adjust the following vertices position
   for final shape of the object .

Step 25:

Shape from left view.

Step 26:

Convert this object to poly again.

Step 27:

Turn on the polygon Select
following faces.

Step 28:

Bevel these faces for grip shape.

Step 29:

1. Select all the objects in the scene.
2. Go to the group on the main toolbar.
3. Click on the group for grouping the object.

Step 30:

Select all and group.

Step 31:

Create plane object for ground base.

Step 32:

1. Open material editor and create plastic material for brush handle.
2. Change the following material
   parameters.

Step 33:

1. Scroll down the selected material panel.
2. Turn on the reflection and also refraction.

Step 34:

Click on the reflection button and
add image base reflection.

Step 35:

Use this image in above step.

Step 36:

1. Go back and click on the refraction button and select ray trace.
2. Close the material editor.
3. Create lights
4. Render the scene

Final:

Select local normal extrude type and set extrude value(.3) and click ok.

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So today i will show you how to create a Logo 3D

Let’s start with a new document:
The size should be 400 x 400 pixels. We will use a green background
i will use green because you will be able to see better what i am doing

Now please download the following image:

This image will help you to give a nice perspective to your logo
After you will open also this image in photoshop, with the move tool drag the this image on your document.

Next select Rectangle Tool and draw a rectangle. i will use a different color. you can use what color you want.

You can notice that i have changed the opacity for this rectangle. This is very important.

Now with the same tool create another 4 small rectangles and one circle:

Now will have to select all the layers except the background layer and the black rectangle:

After you have selected the rectangles go to Edit > Transform > Distort and move the corners of the layers selected near the corners from the black rectangle:

As you can see the logo looks already good. It has a 3D look.

Let’s add a layer style for this white rectangle:

Now delete the black rectangle, and the blue rectangle.

Now add a layer style for the white circle:

After you have added this style to the small circle please change the background to white:

Nice isn’t it?

Select all the layers and resize the logo:

Now with all the layers selected go to Layer > duplicate layers

Now select the first layers ( if you have followed my tutorial it should be the tutorials from the bottom: ( do not select the background layer )

With this layers selected use the arrow keys press a few times on the down arrow.

You will give a 3D look to these logos.

You can repeat the steps from above, and duplicate another time the layers and with the arrow keys place them one more time. After i have duplicated a few times and after i have changed the layer style for the duplicated layers this is my result:

Do you think we are ready? Hmm . not yet. we will add a simple shadow and we will be ready.

Select rectangle tool and draw a small rectangle like mine.

Now go to Edit > Transform > Distort and move the corners of this small grey rectangle like in the following image.

Now go to Filter > Blur > Gaussian Blur
You will be asked if you want to rasterize the shape. Press YES

Then set the radius to 7 Pixels
Press OK

Be sure you drag this layer above the background layer.

This is my result:

With this technique you are able to create nice logos.
Here are some examples:

these logos from above are available only for paid members. If you want to download access the VIP download area you have to pay 9,95 $ for one year and you can download all the stuff from the download area.

If you want to see how this logo is created please download the PSD file

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In it, type-effects guru Nik Ainley shows how to create the above image. The key is to create the letters in a 3D package first as individual characters, then bring them into Photoshop for further post work.

Through clever use of Photoshop’s masking tools and layers, Nik has created type with characters that weave in and out of each other. The characters’ faces also provide a handy canvas for further effects, such as patterns, gradients and lines.

01. Start by producing each letter separately in a 3D program, which Nik did here in Xara 3D, and import them into a Photoshop document. Keep each letter in its own layer, and then arrange them around each other, in whatever way looks good to you.

It might seem odd to create 3D text in this way, but Photoshop offers a lot more control than a 3D program and you will be able to produce a larger than life effect. To save time, the PSD file with the 3D text is included on this issue’s CD.

02. One advantage of working in Photoshop is that letters can appear to be both behind other letters while having parts in front of them at the same time. To achieve this effect, you need to mask parts of individual letters to make it appear that they’re behind others.

To mask part of a letter, start by adding a layer mask to the appropriate letter. The next step is to select which letter you want to appear in front – in the screen above, we’re making the E appear as though it’s partly in front of the H.

Select its outline by Ctrl+clickingon its layer thumbnail. Using the brush tool, brush black onto the H’s layer mask. It should now appear that the bottom tip of the E is in front of the H. Repeat this for as many letters as you like.

03. Next, you’ll start working on the lighting and shadows, starting with adding shadows onto the F. Create a new layer above letter F. To make sure the shadows fall only on the letter, give it a mask.

The shape of the mask must correspond to the shape of the F, minus parts masked off in the previous step. To do this, Ctrl+click on the F layer’s thumbnail, then Ctrl+Alt+Shift click on the layer mask’s thumbnail to get the intersection of the two. Now select your new layer and add a layer mask. It should be the same shape as your selection.

04. Using a large soft brush – say 70px – brush black onto this layer around the parts of the letter that should be in shadow. In this case, the top bit that falls behind the R and the bottom that falls behind the S. Repeat this process for each layer and you should end up with a lot more depth.

05. With the shadows on the letters done, now we need shadow on the background. Create a new layer below all of the letters. Select the outline of all your letters, and fill it with black. Run a Gaussian blur on this layer. Now, use a Warp Transform to pull it downwards slightly so it seems that the letters are floating above the background. Blur again, and drop the layer’s opacity if the shadows seem too harsh.

06. Next, add some more-controlled shadows beneath the layers to give greater depth. Create a new layer above your first shadow layer and, using a soft 50px brush, add black into this layer. Where you add it is down to what looks good. Add more underneath the base of the letters to give the impression that they’re standing up vertically.

07. Now start working on the actual letters. The first step is to isolate the front face of each letter, using either the magic wand or pen tool. When you have a face selected, create a new layer above your letter but below the letter’s shadow.

Fill it with whatever colour you want, but make it slightly darker and duller. If you have masked off part of the letter in step 2, you will need to duplicate the letter’s mask to your face layer.

08. To style each letter face we are going to use layer styles. The exact settings are really down to personal taste, but the basics are something like this: Inner Shadow: Color dodge, white, opacity 15 per cent, distance: 0px, size: 45px Inner Glow: Screen, white, opacity 75 per cent, size 2px Gradient Overlay: Soft light, black to white, opacity 100 per cent, angled to make the letter lighter at the top, darker at the bottom. Satin: Color dodge, dark grey, opacity 50 per cent, distance: 20px, size: 40px

09. Once you have got something you are happy with we are going to start working on the sides of each letter.

10. Next, you need to change the colours and lighting of the sides, as well as get them to look more consistent with each other.

To do this, you need to use Photoshop’s adjustment layers. Start by selecting the outline of the F shadow s layer mask and creating a new gradient map adjustment layer just below the face layer.

11. Now it’s possible to stack additional adjustment layers above and below the layer created in step 10 to change the lightness, contrast and colours as much as you like. Next, copy the adjustment layers onto each other letter and go through making small adjustments to get a more consistent colouring.

12. To give a little extra gloss, run Filter > Artistic > Plastic wrap on the body of each letter with the settings Highlight strength 14, Detail 1, and Smoothness 14. After each filter is applied, fade it to a soft light blending mode (Edit > Face).

13. Now to bring all the colours together to give a more harmonious feel, add some adjustment layers right at the top of the image. Start by applying the same gradient map as before using a soft light blending mode at 50 per cent opacity.

14. Try different adjustment layers to get the right colours and balance. Add curves layer to lighten it, a photo filter layer to add more red, and a colour balance layer to add more orange.

Add as many or as few as you like to get the effect you want. As a final tweak, mask all these adjustment layers so that they didn’t have so much of an effect on the background colour.

15. From here you can do as much or as little as you want. Add more details to each letter, add more highlights and shadows, change the colours, whatever you can think of. This example has a few more details, but you can take it much further.

Nik Ainley

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